Whether it’s working late nights to get dailies out by the morning, changing a clock since it was set to the wrong time with visual effects or going back and forth on edits to get the pivotal scene just right, Scott has the experience to get your project from start to finish.
With a variety of past editorial work, including the Short Film Juice which won Best Editing at the IndieWorks Best of Fest, Scott is ready to work one on one with you on any type of project.
Past work includes documentary (Richard), web-series (We Suck At This), commercial (Paradise Boat Rentals), music video (Nola Ade: LOVE) and beyond. Feature length additional editor credits include Disturbing The Peace and Groupers.
With a niche of title design, Scott has produced main title sequences for a variety of Networks and Distributors including Lifetime (My Evil Stepdad, Her Worst Nightmare), BET (Holiday Heist), Voltage (Disturbing The Peace), Cinedigm (Teacher) and more.
Scott’s Visual Effect works takes the forefront in the found footage film The Monster Project and hides in the background in such films as Holiday Heist. Notable motion Graphic work includes the Emmy Award Winning Pooh: The Derrick Rose Story.
The first step from Production to Post Production takes place in Dailies. Delivered in tangent with production, video and audio is synced together, meticulously checked, color timed and rendered out so the editors can begin cutting the next morning.
Scott’s Dailies Technician and Dailies Colorist credits include a number of Theatrical Features (Netflix’s Beats, Apple TV’s Hala) and Network Television Shows (Showtime’s The Chi and Work In Progress, Pop TV’s Hot Date).
Full Filmography can be found on IMDB.